Georgian Prints (1714 - 1837)

Alexander Pope (G101)
Artist: Jonathan Richardson
Dated: 1737
Period: Georgian

Ref: G101

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Anna Maria Jenkins; Thomas Jenkins (G102)
Artist: Angelica Kauffmann
Dated: 1790
Period: Georgian

Ref: G102

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Arthur Wellesley, 1st Duke of Wellington (G103)
Artist: Robert Home
Dated: 1804
Period: Georgian

Ref: G103

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

George Frideric Handel (G104)
Artist: Thomas Hudson
Dated: 1756

Period: Georgian

Ref: G104

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Horatio Nelson (G105)
Artist: Guy Head
Dated: c1798-99
Period: Regency

Ref: R105

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

King George III (G106)
Artist: studio of Allan Ramsay
Dated: 1761-62
Period: Georgian

Ref: G106

He was a grandson of George II and the first English-born and English-speaking monarch since Queen Anne. His reign was one of elegance and the age of some of the greatest names in English literature – Jane Austen, Byron, Shelley, Keats and Wordsworth. It was also the time of great statesmen like Pitt and Fox and great captains like Wellington and Nelson. in 1773 the ‘Boston Tea Party’ was the first sign of the troubles that were to come in America. The American Colonies proclaimed their independence on July 4th 1776. George was well meaning but suffered from a mental illness due to intermittent porphyria and eventually became blind and insane. His son ruled as Prince Regent after 1811 until George’s death.

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

King William IV (G107)
Artist: Sir Martin Archer Shee
Dated: c1800
Period: Georgian

Ref: G107

Known as the ‘Sailor King’ (for 10 years the young Prince William, brother of George IV, served in the Royal Navy), he was the third son of George III. Before his accession he lived with a Mrs. Jordan, an actress, by whom he had ten children. When Princess Charlotte died, he had to marry in order to secure the succession. He married Adelaide of Saxe-Coburg in 1818. He had two daughters but they did not live. He hated pomp and wanted to dispense with the Coronation. The people loved him because of his lack of pretension. During his reign Britain abolished slavery in the colonies in 1833. The Reform Act was passed in 1832, this extended the franchise to the middle-classes on a basis of property qualifications.

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Prince Charles Edward Stuart (G108)
Artist: Louis Gabriel Blanchet
Dated: 1738
Period: Georgian

Ref: G108

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Blue Boy (G109)
Artist: Thomas Gainsborough
Dated: 1770
Period: Georgian

Ref: G109

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Samuel Johnson (G110)
Artist: Sir Joshua Reynolds
Dated: c1756-57
Period: Georgian

Ref: G110

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Lady in Blue (G111)
Artist: Thomas Gainsborough
Dated: 1770-79
Period: Georgian

Ref: G111

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Georgiana Duchess of Devonshire (G112)
Artist: Thomas Gainsborough
Dated: 1783
Period: Georgian

Ref: G112

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Sir Joseph Banks, Bt (G113)
Artist: Sir Joshua Reynolds
Dated: c1771-73
Period: Georgian

Ref: G113

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Sir Joshua Reynolds (G114)
Artist: Sir Joshua Reynolds
Dated: c1747-49
Period: Georgian

Ref: G114

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Music Party (G115)
Artist: Philip Mercier
Dated: 1733
Period: Georgian

Ref: G115

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Andrews Family (G116)
Artist: James Wills
Dated: 1749
Period: Georgian

Ref: G116

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

James Cook (G117)
Artist: John Webber
Dated: 1776
Period: Georgian

Ref: G117

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Whistlejacket (G118)
Artist: George Stubbs
Dated: 1762
Period: Georgian

Ref: G118

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Robert Burns (G119)
Artist: Alexander Nasmyth
Dated: c1821-1822
Period: Georgian

Ref: G119

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Johann Sebastian Bach (G120)
Artist: Elias Gottlob Haussmann
Dated: 1746
Period: Georgian

Ref: G120

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Horatio Nelson (G121)
Artist: Lemuel Francis Abbott
Dated: 1797
Period: Georgian

Ref: G121

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Rear-Admiral Horatio Nelson, 1st Viscount Nelson 1758-1805 (G122)
Artist: Lemuel Francis Abbott
Dated: 1797-1800
Period: Georgian

Ref: G122

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Napoleon Bonaparte (G123)
Artist: Jacques-Louis David
Dated: c1813
Period: Georgian

Ref: G123

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Napoleon in his study in the Tuileries Palace (G124)
Artist: Jacques-Louis David
Dated: 1812
Period: Georgian

Ref: G124

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

George I (reigned 1714 -1727) (G126)
Artist: by studio of Sir Godfrey Kneller Bt
Dated: 1714
Period: Georgian

Ref: G126

Son of Sophia and the Elector of Hanover, great-grandson of James I. The 54 year old George arrived in England able to speak only a few words of English with his 18 cooks and 2 mistresses in tow. George never learned English, so the conduct of national policy was left to the government of the time with Sir Robert Walpole becoming Britain’s first Prime Minister. In 1715 the Jacobites (followers of James Stuart, son of James II) attempted to supplant George, but the attempt failed. George spent little time in England – he preferred his beloved Hanover, although he was implicated in the South Sea Bubble financial scandal of 1720.

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

George II (reigned 1727 – 1760) (G125)
Artist: Thomas Hudson
Dated: 1744
Period: Georgian

Ref: G125

Only son of George I. He was more English than his father, but still relied on Sir Robert Walpole to run the country. George was the last English king to lead his army into battle at Dettingen in 1743. In 1745 the Jacobites tried once again to restore a Stuart to the throne. Prince Charles Edward Stuart, ‘Bonnie Prince Charlie’. landed in Scotland. He was routed at Culloden Moor by the army under the Duke of Cumberland, known as ‘Butcher’ Cumberland. Bonnie Prince Charlie escaped to France with the help of Flora MacDonald, and finally died a drunkard’s death in Rome.

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

World Maps Georgian/Regency Period (WM104)
Dated: 1790-1815
Period: Georgian/Regency

Ref: WM104

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Haymakers (G127)
Artist: George Stubbs
Dated: 1785
Period: Georgian

Ref: G127

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Reapers (G128)
Artist: George Stubbs
Dated: 1785
Period: Georgian

Ref: G128

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

King Charles Spaniel (G130)
Artist: George Stubbs
Dated: 1762
Period: Georgian

Ref: G130

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Mares and Foals in a River Landscape (G131)
Artist: George Stubbs
Dated: 1762
Period: Georgian

Ref: G131

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Grosvenor Hunt (G132)
Artist: George Stubbs
Dated: 1762
Period: Georgian

Ref: G132

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Hunters Leave Southill (G133)
Artist: George Stubbs
Dated: 1762
Period: Georgian

Ref: G133

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Breaking the Ice
Artist: George Morland
Dated: 1792
Period: Georgian

Ref: WS101G

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

York to London Royal Mail coach in snow

Artist: Henry Thomas Alken
Dated: 19th century
Period: Georgian

Ref: WS110G

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Haymakers (G127a)
Artist: George Stubbs
Dated: 1783
Period: Georgian

Ref: G127a

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Reapers (G128a)
Artist: George Stubbs
Dated: 1783
Period: Georgian

Ref: G128a

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Labourers (G129)
Artist: George Stubbs
Dated: 1789
Period: Georgian

Ref: G129

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Francis Popham (G134)
Artist: Unknown 18th century artist of the British (English) School
Dated: 1750-1760
Period: Georgian

Ref: G134

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Francis Dukinfield Astley and his Harriers (G135)
Artist: Benjamin Marshall
Dated: 1809
Period: Georgian

Ref: G135

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Peter Beckford’s Hounds (G136)
Artist: Francis Sartorius I
Dated: 1785
Period: Georgian

Ref: G136

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Two Couples of Hounds in a Park Landscape with two Terriers (G137)
Artist: Francis Sartorius I
Dated: 1785
Period: Georgian

Ref: G137

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Two Couples of Foxhounds in a Park Landscape with two Terriers (G138)
Artist: Francis Sartorius I
Dated: 1785
Period: Georgian

Ref: G138

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

A Man with a Gun (called ‘Mr Poyntz of Bath’) (G139)
Artist: British (English) School
Dated: 1770-1775
Period: Georgian

Ref: 12.50

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

John Corbet and the Warwickshire Foxhounds (G140)
Artist: Thomas Weaver
Dated: 1812
Period: Georgian

Ref: G140

The original painting is owned by the National Trust and is currently hanging in the dining room of Upton House. Ellie de Lacy Miniatures have donated this print to the National Trust Upton House for their dollshouse dining room (Oct 2017).

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Old London Bridge (G141)
Artist: Samuel Scott
Dated: c.1757
Period: Georgian

Ref: G141

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The original painting is owned by the National Trust and is currently hanging in Upton House.

The Four Times of Day – Noon (G148)
Artist: William Hogarth
Dated: 1736
Period: Georgian

Ref: G148

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Four Times of Day – Evening (G149)
Artist: William Hogarth
Dated: 1736
Period: Georgian

Ref: G149

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

The Four Times of Day – Night (G150)
Artist: William Hogarth
Dated: 1736
Period: Georgian

Ref: G150

The original painting is owned by the National Trust and is currently hanging in Upton House.

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

comprising of 4 framed prints:

The Four Times of Day – Morning (G147)
Artist: William Hogarth
Dated: 1736
Period: Georgian

The Four Times of Day – Noon (G148)
Artist: William Hogarth
Dated: 1736
Period: Georgian

The Four Times of Day – Evening (G149)
Artist: William Hogarth
Dated: 1736
Period: Georgian

The Four Times of Day – Night (G150)
Artist: William Hogarth
Dated: 1736
Period: Georgian

Hogarth’s Servants’ (G151)
Artist: William Hogarth
Dated: c.1750
Period: Georgian

Ref: G151

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 1, The Marriage Settlement (G152)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Ref: G152

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 1, The Marriage Settlement (G152a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G152a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 2, The Tête à Tête (G153)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Ref: G153

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 2, The Tête à Tête (G153a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G153a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 3, The Inspection (G154)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Ref: G154

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 3, The Inspection (G154a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G154a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 4, The Toilette (G155)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Ref: G155

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 4, The Toilette (G155a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G155a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 5, The Bagnio (G156)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Ref: G156

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 5, The Bagnio (G156a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G156a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Marriage A-la-Mode 6, The Lady’s Death (G157)
Artist: William Hogarth
Dated: 1743
Period: Georgian
Ref: G157
All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Engraving of Marriage A-la-Mode 6, The Lady’s Death (G157a)
Artist: William Hogarth
Dated: 1745
Period: Georgian

Ref: G157a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Beer Street (G158)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Ref: G158

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Beer Street (G158a)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Ref: G158a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Gin Lane (G159)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Ref: G159

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

Gin Lane (G159a)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Ref: G159a

All prints come with a preservative coating to prevent fading and wear, are mounted on card, framed in a gold ornate or wooden frame and labelled on the reverse with the original painting name, the artist name and the date of the original painting (where available).

comprising of 6 framed prints:

Marriage A-la-Mode 1, The Marriage Settlement (G152)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Marriage A-la-Mode 2, The Tête à Tête (G153)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Marriage A-la-Mode 3, The Inspection (G154)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Marriage A-la-Mode 4, The Toilette (G155)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Marriage A-la-Mode 5, The Bagnio (G156)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Marriage A-la-Mode 6, The Lady’s Death (G157)
Artist: William Hogarth
Dated: 1743
Period: Georgian

comprising of 6 framed engravings:

Engraving of Marriage A-la-Mode 1, The Marriage Settlement (G152)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Engraving of Marriage A-la-Mode 2, The Tête à Tête (G153)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Engraving of Marriage A-la-Mode 3, The Inspection (G154)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Engraving of Marriage A-la-Mode 4, The Toilette (G155)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Engraving of Marriage A-la-Mode 5, The Bagnio (G156)
Artist: William Hogarth
Dated: 1743
Period: Georgian

Engraving of Marriage A-la-Mode 6, The Lady’s Death (G157)
Artist: William Hogarth
Dated: 1743
Period: Georgian

comprising of 2 framed prints:

Beer Street (G158)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Gin Lane (G159)
Artist: William Hogarth
Dated: 1751
Period: Georgian

comprising of 2 framed engravings:

Engraving of Beer Street (G158a)
Artist: William Hogarth
Dated: 1751
Period: Georgian

Engraving of Gin Lane (G159a)
Artist: William Hogarth
Dated: 1751
Period: Georgian